Francesco Durante

Compositions

Vocal music

WONDERS OF THE DIVINE MERCY TO THE avid GLOLORIOSO S. ANTHONY OF PADUA, (joke dramatic Ronaldi A.), Naples, June 13, 1705, music lost;

Cantatas, arias, duets, trios

You sing spiritual high, bass
Even if you won you won;
Where unhappy;
Let my heart at last;
So a few standing;
No more pity for those with children;
To resound of scary.

Two Acts of contrition for the pupils of the Conservatory of the Poor of Jesus Christ

More proud aspect of the penis, D major, 1 item;
More proud aspect of the penis, F major, 1 item.

At his back the stream banks, sopranos, bass;
What dates (air), soprano;
At least if not poss’io (air), for soprano;
The hour of doom step (air), soprano;
Ciel never right if you are, soprano, bass;

11 Duets (madrigalli, songs) based on chamber by recitatives sung by A. Scarlatti for solo soprano, alto, bass

Or go to my sighs,
I am barbaric woman
If you try to discover,
At least, that you were to try,
Mitilde, my soul,
Or how many times,
Mitilde, my darling,
Proud bitter fate,
The charming Celinda,
Love, Mitilde, has died,
They sleep in the summer breezes,
Alfin kill me
Loneliness care (from the first recitative sung by A. Scarlatti Solitude), soprano, alto, bass;

Duets for soprano, alto, bass cantatas by Scarlatti

This silence,
Sweet weeping,
Now while I sleep,
Though sleep of death,
Alas my love,
And while he wants the sky,
In hard you martyr,
Or painful distance,
So pity (From Thyrsis and Flora);

Rents on texts by Metastasio for 3 sopranos

Oh what a fate,
The poor love,
People living lover
Those who want to live happy,
Only begin,
Are deprived of freedom,
The fate tyrant,
It makes me hate the sight-singing,
No do not speak of love,
Why whimsical rai,
If a true lover,
I know it boast a core,
You alone.

Speakers

The doe that thirsty soul in the flames of glory (Naples, February 18, 1719, music and libretto lost);
Abigail (Rome, November 22, 1736);
S. Anthony of Padua (G. Terribilini, Venice, 1754).
Five songs for the tragedy Flavio Valente of A. Marquis (Naples, 1729).

Instrumental music

Concertos in F minor Quartet,
Concert for string quartet in G minor,
Concert for string quartet in E flat major,
Concert for string quartet in E minor,
Concert for string quartet in A major,
Concert for string quartet in C major,
Concert for string quartet in A major (which bears the name “The Madness”;
Concerto in B flat major for harpsichord and strings (about 1750);
Sonata in A major for violin and harpsichord (fragment);
Sonata for Harpsichord in G minor, Naples 1732
Sonata for Harpsichord in D major, Naples 1732
Sonata for Harpsichord in C minor, Naples 1732
Sonata for Harpsichord in A major, Naples 1732
Sonata for Harpsichord in F minor, Naples 1732
Sonata for Harpsichord in B flat major, Naples 1732
Sonata in C major, 2 violins, bass;
Sonata in B flat major, 2 violins, bass;
Sonata, E minor, 2 violins, bass;
Sonata for Harpsichord in G major only; doubtful
Sonata for Harpsichord in C minor only; doubtful
Sonata for Harpsichord in G major only; doubtful
Sonata for Harpsichord in F major only; doubtful
Sonata for Harpsichord in D major only; doubtful
Sonata for Harpsichord in C major only; doubtful
Sonata in A major for harpsichord alone, uncertain
Matches and sonatas, D major;
Sonata, C minor, harpsichord;
Touch for harpsichord in F major,
Sonata in C Major
Fugue in G major;
Toccata D Minor;
Toccata in B flat major;
Toccata in A minor;
Toccata in C major,
Toccata in D minor,
Toccata in C major,
Toccata in A major;
Toccata in C minor, harpsichord;
Exercise or Sonata in C Major, organ;
Invertura in C Major, organ;
Other educational pieces for the harpsichord.

Sacred Music

Missae

Missa S. Lidefonso to St. James of the Spaniards, in D minor, entries 5, 1709;
Kyrie and Gloria in D minor, C major, 4 voices, 1734;
Missa short, F major, 4 voices, 1734;
Mass in G major, 1742, fragments;
Missa in tempore afflictionis, F major, entries 5, 1749;
Missa in A major, entries 8, 1753;
Missa in C major, 5 items;
Mass in G major, 5 items;
Mass in G major, 4 voices;
Mass with Gregorian chant “Michael Sancte defende nos” D major, 5 items;
Mass in D major, 4 voices;
Missa in pastoral, D major, 4 voices;
Mass in D major;
Mass in D major, 4 voices;
Mass in the pastoral, the eldest, 4 voices;
Mass in the pastoral, the eldest, 4 voices, bass;
Missa in sibemolle more, 5 items;
Missa in sibemolle more, 4 voices;
Missa in C minor, 5 items;
Three cycles of harvest: in C major, 3 voices and basso continuo;
A cappella Mass in C major, 3 voices and basso continuo;
Missa in Palestrina, D minor, four voices and continuo, October 17, 1739;
Two masses (Kirya, Gloria, Creed, both dubious-in G major, 4 voices;
Missa in A minor, 9 entries.

Motets

Come to the crib (motet in the pastoral), 4 items;
Ave virgo sancti amoris, soprano;
Cessent chord, D major, 5 items;
I quote Pastor, 4 voices;
Jam Redit light, 8 voices;
Videtur Jam, 4 voices;
Misericordias Domains, 8 voices;
Born, born divas puellule (for Christmas), high and low continuous;
O Sapientia (in ministry), soprano;
Sacerdotes sancti, soprano, alto, 1713;
Surge aurora, 4 voices;
Surge fame, 5 items;
Hush sonatas, 4 voices.

Antiphons, hymns, sequences

Alma Redemptoris, E flat major, low, in December 1739;
Alma Redemptoris, G minor, soprano, 1739;
Ergo sum panis, 4 voices and basso continuo;
Recordatus mei Deus, for tenor, bass;
Salve Regina, F major, bass;
Salve Regina (for Sig.Praun), D minor, 1739;
Salve Regina, D minor, baritone, bass, sa1753;
Salve Regina (for pupils of the Conservatory of S. Onofrio), in E minor, for soprano;
Veni sponsa Christi, D major, 4 voices;
Veni sponsa Christi, D major, 5 items;
Auctions confessor, for 4 voices;
Nunc Dimittis, 5 voices, 1749;
O stars amour (Hymn of St. Francis), for 4 voices;
O glorious domain, the eldest, to 5 items;
Language bellies, 5 items;
Integrates inviolate, soprano;
Stabat Mater, 2 sopranos and continuo;

Parts of Masses

Gloria, D major, 8 voices;
I think, G major, for 4 voices;
I think, G major, 5 items;
I think, the greatest, for 4 voices;
Creed, Sanctus, Agnus Dei, D major, for 4 voices;

Requiem Masses

Mass of small rest (without Dies Irae), G major, 3 items;
Mass in F major, for 4 voices;
Mass in A minor, 3 items;
Mass in G minor, for 4 voices, 27 November 1738;
Mass for the dead, C minor, 8 voices, Rome 1746;
Short funeral Mass, for 4 voices.

Magnificat

Magnificat in D major, for 4 voices, bass;
Magnificat in B flat major, 5 items;
Magnificat in B flat major, for 4 voices, bass;
Magnificat in A minor, for 4 voices;
Magnificat in A minor, 8 voices, 1752;
Magnificat in D minor, for 4 voices;
Magnificat in C minor, for 4 voices, bass;
Magnificat in E flat major, 3 voices, bass;
Magnificat, C minor, for 4 voices;

Psalms

Beatus vir, C major, for 4 voices;
Beatus vir, C major, for 4 voices;
Beatus vir, C major, 5 voices 1715;
Beatus vir, the eldest, to 5 items 1735;
Beatus vir, F major, for 4 voices;
Beatus vir, the eldest, for 4 voices;
Beatus vir, C minor, 3 items;
Confitebor, D major, November 1744;
Confitebor, the eldest, for 4 voices;
Confitebor, E minor, for 4 voices;
Dixit Dominus, D major, for 4 voices;
Dixit Dominus, D major, 5 items;
Dixit Dominus, D major, 5 voices, 1751;
Dixit Dominus, D major, 5 items;
Dixit Dominus, D major, 5 voices, 1753;
Dixit Dominus, D major, 5 voices, 1753;
Dixit Dominus, F major, 8 voices;
Dixit Dominus, B flat major, 3 voices, bass;
Laetatus sum, for 4 voices;
Praise childcare, C major, for 4 voices, bass;
Praise childcare (called the Grotesque), G major, for 4 voices, 1732;
Praise childcare, G major, 8 voices;
Praise childcare, D major, 8 voices, 1714;
Praise childcare, increased to 1 voice;
Praise childcare, the eldest, for 4 voices.
Memento Domine David (competition for the Royal Chapel), 8 voices, bass, 21 open 1745;
Miserere (for deceased), 3 items;
Miserere (for the church of St Nicholas of Bari-), 5 voices, bass, 1754;
Misericordias Domains, C minor, 8 voices, bass;
Misericordias Domains, C minor, 8 voices, bass;
Nisi Dominus, for 4 voices;
Protex me Deus (competition for the Royal Chapel of Naples), 5 bass voices, April 21, 1745
Vespers short (Dixit Dominus), C major, for 4 voices;

Offertories

Domine Jesu Christe, 8 voices, bass;

Also

9 Lessons for Holy Week:

Litany to the Virgin

Litany of the Blessed Virgin Mary in A minor, for 4 voices
Litany of the Blessed Virgin Mary in E minor, soprano, alto
Litany of the Blessed Virgin Mary in G minor, for 4 voices
Litany of the Blessed Virgin Mary in F minor, for 4 voices, 1750
Litany of the Blessed Virgin Mary in E minor, for 4 voices
Litany of the Blessed Virgin Mary in G minor, 4 voices

Responsories

Responsories for Holy Week and Miserere, 3 voices, bass;
It quaeris miracula (responsory of St. Anthony), soprano;
Responsory friends Omnes, 3 voices, bass;

Secular vocal music

6 Cantatas for Alto spiruali and continuous;
Act of Contrition (for pupils of the Conservatory of Jesus Christ) 1 entries;
12 Duets chamber with continuous;
13 canons to 3 entries on texts by Metastasio;
other madrigals and arias to 1-2 voices and continuo.

Pedagogical works

Compartments or entire study clearly numbered to play the harpsichord,
13 duets for soprano;
4 canons, for 2 sopranos;
Ludus puerorum two songs;
5 duets for sol-fa, for soprano, bass.